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Jan Howlin’s ceramic works developed from her interest in form as a vehicle for evocation, symbolism and connection.

From a desire to translate the body in a different way, she focused initially on the internal architecture of life forms – the pipes and organs that act as the transport system in the body – and in several works a parallel is drawn between the inner workings of trees and the blood that flows in our veins.

In extending these elements and adding allusions to various animal characteristics, she developed this small series of ‘heartworks’ and ‘organisms,’ which have been brought to life through her distinctive use of line, colour, texture and form.

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